This Hallmark TV movie is an uninspiring adaptation of Jules Verne’s classic colonisation adventure novel which is chiefly remembered for featuring the return of famed aquanaut Captain Nemo.
Reasonably faithful to Verne’s story, a starry headline cast of Patrick Stewart and Kyle MacLachlan is supplemented, or possibly squandered alongside screen stalwart Roy Marsden, TV stars Gabrielle Anwar and Gabrielle Anwar, footballer-turned-actor, Vinnie Jones, and Omar Gooding, the brother of Oscar winner Cuba Gooding, Jr.
giant rats, scorpion and giant bees!
Cleaving reasonably close to Verne, MacLachlan stars as Cyrus Smith, the leader of a band of US Civil War castaways stranded on a desert island and suffer various perils including giant monsters and pirates.
Verne’s upstanding hero Smith is nicely subverted by the casting of MacLachlan, an actor who’s incapable of not suggesting a less than healthy and far from incorruptible moral fibre beneath his square jawed Hollywood leading man looks.
The younger of the two women is kidnapped twice.
Impressive Caribbean location, compensate for lack of CGI, and what special effects there are make you feel nostalgic for the virtues of MacLachlan’s 1984 sci-fi adaptation, Dune.
Anwar and Calvert play characters invented for the film whose job is to provide glamour and be rescued. The younger of the two women is kidnapped twice.
As ever, Neb is the only non-white character and unlike in Verne’s novel is an equal member of the team, and often at odds with the cowardly southern ‘gent’, Pencroft.
Verne’s Indian prince, Captain Nemo is once again whitewashed, but at least Stewart adds gravitas to his portrayal of the ageing aquanaut. This version of Nemo was born an Englishman who was raised in India and committed acts of war against the British Empire killed his wife and child.
Nemo now wants to end all war by creating a weapon so powerful it could obliterate an entire city. This not so-veiled nod to nuclear weapons would have been perfectly at home in the post-war paranoia of the 1950’s.
But here Nemo seems more a low-budget steampunk 007 Bond villain. Nemo’s Neru jacket-wearing English henchman alludes to Nemo’s Indian upbringing, but also calls to mind 007’s adversary, Dr No, itself a riff on Shakespeare’s The Tempest.
There’s a dinner party scene with Stewart and MacLachlan where some actual acting breaks out, and
at least both actors are in the same room when it was a shot, unlike a later scene where Stewart is palpably absent, and seems a post-production inclusion to make Nemo a more sympathetic character.
swashbuckling intellectual property
I suspect in their thespian heads Stewart and MacLachlan are playing out a version of The Tempest, with the outcast scientific ‘wizard’ Nemo as Prospero, and Smith as Prince Ferdinand.
Jones contributes his unique acting skills in a pleasingly minor role as the pirate Captain Bob, and I’ve a strong suspicion his vocal performance has been dubbed out of existence.
Anyway, the side effects of Nemo’s experiments cause local flora and fauna to grow to prodigious size, producing giant rats, scorpion and yes, giant bees! They have nothing to do with Verne and were first introduced to The Mysterious Island mythology in Ray Harryhausen’s 1961 film version, as well as recurring in the later 2012 version.
However the special effects seem to have gone backwards in quality since Harryhausen’s time, and the giant Preying Mantis is sadly laughable.
Cast, crew, production designers and presumably the effects guys are all trying hard, but this whole enterprise is a great example of what happens when the budget and schedule are far from sufficient.
There’s no obvious love of the source material, and Verne’s work seems treated as a convenient vaguely swashbuckling intellectual property to be exploited in a mediocre-at-best manner in the wake of the Oscar-nominated blockbuster box office success of 2003’s Pirates of the Caribbean: The Curse of the Black Pearl.
the door ajar for a sequel
Mysterious Island aims for mainstream family swashbuckling fun but everything feels geared to just passing muster, and will make you feel a lot kinder to even the most bloated episode of Keira Knightley’s pirate franchise.
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